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SUSAN'S ROOM Susan Anders - lead vocal, guitar, keyboards Tom Manche - lead guitar, vocals, percussion Ritt Henn - acoustic and electric bass Albe Bonacci - drums and percussion |
![]() Room #5 |
![]() Thinner |
![]() Thicker |
![]() Lion in the Living Room |
![]() Susan's Room |
| Order any of the Susan's Room CD's NOW using our secure online form! | ||
Susan's Room is built around the songs and voice of Susan Anders. Growing up in Berkeley, CA, where they take seriously the notion that the unexamined life isn't worth living, she started writing her analytical songs at age eleven. Degrees in music and performance art from UC Santa Cruz and SF State complimented her main songwriting influences at the time: Elvis Costello, Joni Mitchell, and Smokey Robinson. Susan's post-college musical resume includes everything from fronting the rock band Slantstep to singing telegrams dressed as a table; from singing Motown in Mexican restaurants to teaching doo-wop to Zen Buddhists.
Lured by the burgeoning coffeehouse scene, she moved to LA in 1991, where she soon connected with former Youngstown Ohioan Tom Manche. Tom wore several hats: guitar slinger/teacher, songwriter, and producer-engineer at his own place, Studio X. He heard Susan's demo and promptly offered her a load of free studio time. Within a year they recorded and released their first album as Susan's Room, on Zanna Discs. Its treatment of Susan's off-kilter, lyric-driven songs garnered great reviews and was heard on over 150 radio stations nationwide. Bassist Ritt Henn and drummer Albe Bonacci joined Susan and Tom on the second album, Lion in the Living Room, which received similar critical praise and airplay.
After Lion In The Living Room, Susan went into a prolific writing mode and ended up with over two dozen songs. Fans had requested an acoustic album, so while they recorded an album using the full band, they concurrently recorded a stripped down album of mostly duos and trios. Thicker and Thinner have aired worldwide. After hearing it, Brian Austin Whitney at jpfolks.com called Susan's Room "a great band" and declared that "Susan gets my vote for lyricist of the year."
Susan then tried a different approach. She wrote about thirty new songs, then picked the best thirteen for the newest album, Room #5. The full band is back for this one, as well as some swell "guest rooms," including folk diva Kristina Olsen and John "J.T." Thomas of the Bruce Hornsby band.
Susan is also a singing teacher with many happy students in Los Angeles and the Bay Area. She just finished the No Scales, Just Songs Vocal Workout, a two CD book instructional method that should bring relief to singers who want to warm up their voices but hate singing scales. Tom produced the 17 pop, rock and jazz songs, and he, Ritt, Albe, Bill von Ravensberg and Troy Dexter are the very cool band. You can order the No Scales, Just Songs Vocal Workout by secured credit card.
Check out their gossip page for gig info, their latest favorite books and albums. For more on Susan's Room, go to: www.songwriter.com/susan/gigs_and_gossip.html.
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For more information, contact Susan's Room at 323-655-6669 or 1-800-SUSAN-IS (787-2647).
Fax: 323-655-4164 By mail: PO Box 691504, Los Angeles, CA 90069
''How come Susan Anders isn't a household name? She's a wonderful singer, an amazing songwriter, and just plain all-'round fine entertainer.'' "This excellent songwriter takes the expressive range and private mythology of Nyro's pop-soul sound and adds lyrical precision and a tougher, more humorous delivery." ''Hell-on-wheels bluesy wailing alto.'' ''Analytical, introspective, often witty tunes.'' "Lion in the Living Room is one of the cleverest acoustic recordings I've heard in quite some time... a fun, fascinating recording" "Catchy acoustic pop with wickedly clever lyrics... a thoroughly satisfying second album"![]()
''A soulful, commanding voice.''
- New Yorker
- East Bay Express
- New Times
- Dirty Linen''Excellent...strong, arrow-pure vocals and evocative lyrics.''
- In Pittsburgh
- Cleveland Free Times
- Out & About
- Oakland Tribune
Winner of the 1996 Napa Music Festival Songwriting Contest
Cotton sheets soaking wet Jody says the doctors here are sweet but useless There was a time in my life several years ago when I was slightly depressed, nothing dramatic, just a vague grey feeling that seemed to hover around me throughout the day. Like the feeling just before you get a cold when you have no energy and you feel a little lonely but it's too much work to call up a friend, that's how I felt for a couple of years. At that time I worked at home and my days were fairly quiet. I got in the habit of watching Perry Mason reruns during my lunch hour everyday. I found these shows oddly comforting. The comradery between Perry, Della and Paul, the high contrast black and white photography, the look of LA in the late fifties/early sixties, all this appealed to me. I even liked the cheesy ads for personal injury attornies and computer job training that played at the breaks. I loved the hopelessly dated depictions of beatnicks and psychiatry. I loved seeing actors before they got famous taking the stand to be politely reamed, or wildly overacting in the denouement. But mostly I loved Perry. Oh how I love him In early episodes Perry was thin, still smoked, and called Della "Miss Street", but in later ones he was plump and treated Della like a trusted friend instead of an employee. I never grew tired of the look on Hamilton Burger's face when once again Perry defeated him by ferreting out the real culprit with the vaguest of clues. As my Perry Mason habit increased I found I'd get a bit anxious that my one o'clock clients might show up early, causing me to miss the conclusion. I began to make them wait. Soon I discovered that channel 20 showed Perry three times a day: noon, 7pm and 1am. I started turning down dinner dates so I wouldn't miss the evening show. Friends stopped calling during "Perry" times, knowing I wouldn't answer. Sometimes I'd have a boyfriend over and I'd stop whatever we were doing at 1am and make him watch Perry with me. Weekends, when he wasn't shown, were difficult... I realized I was getting, well, maybe just a bit obsessed. Oh how I love him I'd acquired a reputation. People smiled and looked away when I spoke of him. I didn't care. And it wasn't a sexual thing, either, I never had lustful thoughts about him. Besides, I'd heard for years that Raymond Burr was gay. But Perry was there, in focus, in hard-edged black and white three times a day, more reliable than any boyfriend. And he was kind, even with the most exasperating people. Life is chaos but Perry is reliable, honest, and never ever wrong. At the end of each show when the world was in order again Perry and his co-horts would always be laughing in some restaurant, that's were I belonged. And I know he'd like me, I wouldn't be some addled client, he'd see the brains and goodness in me. Like Abe Lincoln, like Atticus Finch. The perfect father. I can never turn him off. Oh how I love him Wake up, wake up If you still want some toast and coffee brewing Most of us refuse to get older There's peace, peace
I Know What's Going On
© 2000 Susan Anders/Some Shiny Songs
2 AM, we're not done yet
We speak bodily
We're shaking, we're flying,
Next moment I realize you're crying
And goddamn, goddamn
It's not for me
I know what's going on
So I guess it's okay
I know what's going on
So it's fine that I stay
Your bedroom is empty
Light squares where the pictures used to be
She took 'em for spite
No novels, no TV
she left you one Miles Davis CD
So we play "All Blues" all night
I know what's going on
So I guess it's okay
I know what's going on
So it's fine that I stay
For just a little bit of love and laughter
But I get a little sick
Of being the one who came right after
Roll out of bed
Get us a beer
Honey your feet fall so hard
Something you said
That I didn't hear
Doesn't matter you just need a bodyguard
I know what's going on...
Forget what I said
Let's go back to bed
It's what we do best
She took all the rest
Jody Says
© 2000 Susan Anders/Some Shiny Songs
Jody says hospital charts don't tell it all
Jody says she hears a gospel choir humming
Jody says she knows exactly what comes next
She says "Uh-oh I got to go
But I'll leave my skin behind"
She says "Uh-oh I got to go
Remember to be kind"
Jody says there's no point in pulling punches now
She says she's glad she had a chance to fool around
She says no one remembers long division
But she remembers rolling down that hill when she was five
She says "Uh-oh I got to go
But I'll leave my skin behind"
She says "Uh-oh I got to go
Remember to be kind"
Jody says
Jody waves her hand, her fingers look like matchsticks
She is way too tired to raise her skinny arm
All the nurses sigh when they come to feed her
Jody says she sees love
She says "Uh-oh I got to go
But I'll leave my skin behind"
She says "Uh-oh I got to go
Remember to be kind"
Jody says
Perry Mason
© 1998 Susan Anders/Some Shiny Songs
Perry Mason
And I don't know why
I got to see him
And I don't know why
Perry Mason
Perry, I'm losing it
Perry MasonWake Up
© 1998 Susan Anders/Some Shiny Songs
It's time to be a grown up
It's time to quit pretending that it's not your fault
Wake up, wake up
It's time to quit complaining
It's time to quit explaining why your ship is stalled
Life is not fair
And no one else cares
And someone tucking you in
So you're warm and fed
You can't depend or trust in any others
You'll have to turn the covers
And toast your own bread
And that may seem sad
But it's not so bad
Wake up
We're polishing the beautiful chip on our shoulders
Wake up
high on the horizon
Way down in the valley
There's peace all around
You'll have to work and put your heart into it
But no one else can do it
Your peace can be found
And love can show up
When you grow up
Wake up
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